Well, damn, Doctor Who.
I really liked that.
I liked how you handled that.
I enjoyed that episode.
The way she’s acting, they both are, is just magnificently cruel. She hides behind her hair and her make-up and her condescending pout and posture and rush. Just to not be too long with him in one room because she will break. Because she will call for him, selfishly beg him to stay. And she can’t. She can’t be selfish. He’s not hers to have, because she’s impaired, she’s wrong in her mind. In her mind giving him children is the ultimate token of love and devotion, children of their own flesh and blood. She once had a miscarriage. Lost Melody to get her back as grown-up woman, a stranger. It was a miscarriage. She lost her baby. Forever. She once deprived him of a family. And this broke her so much, she thinks of herself as tainted and incapable. She wants to give him physical, tangible proof of her love. A child of their own, and she didn’t once and she can never. So she is not allowed to have him and she let him go and now she has to pretend like she doesn’t care, like it doesn’t rip her to pieces.
So they both hide. He behind harsh words, to cling to his pride and nonchalance, because he pined after her, waited for, chased her so long just to have the doors shut with cruel and definite “get out”. How long can you barge this doors? How long can you long for attention? How long can you wait outside the box, after 2000 years of waiting already? So he armed himself with pride, detachment and sarcasm, because he doesn’t really know how to stop waiting and he is still waiting for her and he will always be waiting for her, there isn’t and won’t be another one. And she rushes to sign the papers, all the time hidden behind the curtain of her hair, to make it quick, before she hesitates, before she gives in to temptation, before she calls for him.
And in the end she breaks and she does call for him and the change is heartbreaking. From that forced, spiteful pout to pleading, vulnerable expression. And that desperate “Rory”, still full of belief she never really let go, that whenever she is, whatever she does she knows that he is always coming for her. Coming back.
Moments when Amy fell in love with Rory all over again
(Source: onegirlinalltheworld)
Well, damn, Doctor Who.
I really liked that.
I liked how you handled that.
I enjoyed that episode.
Christopher wins all of the boyfriend awards and prizes for this.
I cried.
I loved it.
It was wonderful.
Angelina Jolie had a double mastectomy, in case you hadn’t heard. How dare she remove those ticking time bombs from her chest, amiright? Like, hasn’t she learned by now that her body is public domain and we all get to vote on what she does with it? Sheesh, how selfish can ya get.
Last Midnight
Phylicia Rashad
Phylicia Rashad sings “Last Midnight” in the original production of Into the Woods.
Hearts a Mess
Gotye
DiCaprio and Mulligan, meanwhile, don’t seem like star-crossed lovers so much as a delusional man in love with a bauble of a woman. Maybe that’s intentional?
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People Magazine’s review on ‘The Great Gatsby’

(Source: bennywhistleswhileheworks)
(Source: blaineandrerson)
And that’s the most frustrating thing about depression. It isn’t always something you can fight back against with hope. It isn’t even something — it’s nothing. And you can’t combat nothing. You can’t fill it up. You can’t cover it. It’s just there, pulling the meaning out of everything. That being the case, all the hopeful, proactive solutions start to sound completely insane in contrast to the scope of the problem.
It would be like having a bunch of dead fish, but no one around you will acknowledge that the fish are dead. Instead, they offer to help you look for the fish or try to help you figure out why they disappeared.
(x)You know when you read something that’s so accurate that you don’t know how to words?
Yeah.most accurate representation of depression evvvvar - best website!